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The amazing collection of Medieval artifacts sits atop Roman ruins. A very visceral sense of how deep Paris's history runs. The museum is great fun, and is situated adjacent to the zoo and a sprawling botanical park.

Excellent Moroccan food, enchanting atmosphere. A treat for serious doll enthusiasts, sure - but also a genuinely interesting stop for those who are inspired by others' offbeat passions. A museum about all things Parisian sewers. Pro tip? Prep for your visit by reading Hugo's Les Miserables, in which the sewers of Paris feature prominently! The French have a long, proud heritage of engineering and scientific accomplishment.

This museum is a delightful celebration of that legacy. Contemporary art that pushes boundaries The gardens here highlight different garden styles -- French, English, Japanese, with many travelers remarking the Japanese feels like stepping into Tokyo. Viva Japonisme! By Jetsetter The best cafés in Paris. For Parisians, cafés represent a way of life. Here are some favorites. Mon, 08 June Sun, 24 May PHOTOS: Check out the latest pics of Paris Hilton The two looked happy, cuddling close together and sharing kisses on the sand as they enjoyed their sunny day out together.

Paris Hilton Photo Gallery. View More Photos of Paris Hilton. Wed, 13 May Thu, 30 April Check out the photo that Paris Hilton posted…. View this post on Instagram. Fri, 24 April This is the right place for you! But it's not bad just sitting at the bar and have a drink while watching men walking around! I was with a friend, and I felt totally relaxed. Nice music and cute bartender!!!! This place is FULL of pickpockets The security guards are in on it all so expect NO help.

After some renovations, it's become a total dump. The upstairs disco is nice and the music is good. But downstairs it smells like piss and it's gross. I caught one dude trying to open my pocket sealed with velco, so i both heard and felt him trying to go in and steal the contents, so i grabbed his thumb and clocked him square in the face, then i left. The era of The Depot is long over, and it's a pathetic shadow of its former self. There are plenty of other places in the center where you get what you're looking for.

Log in to get trip updates and message other travelers. Best sex club in Paris - Le Depot. Le Depot. Review Highlights. Reviewed July 16, Reviewed June 25, Best sex club in Paris. Review of Le Depot. Nestled inside Nicolas Roeg's blood-chilling paranormal thriller is one of the best sex scenes ever committed to film.

Donald Sutherland and Julie Christie play a couple relocated to Venice after the accidental death of their daughter. Before becoming unraveled by an English psychic claiming spectral visions of their child, the two stars disrobe for a night of marital bliss. The details are one thing a pocket of saliva gleaming on Christie's neck, an exchange of grins accompanying a change of positions , but it's Roeg's intercutting between the act and its after-moments that makes the sequence so sublime.

What makes the film near-pornographic, you ask? Sutherland later claimed that he and Christie actually made love on camera during the sequence — a statement that's been refuted and resubstantiated many times over the years, but which still lends the scenes an odd voyeuristic thrill.

But for his follow-up to the lively, colorful trilogy, Pasolini made one of the most shocking, degenerate films of all time. Set during Mussolini's short-lived reign in the titular Northern Italian republic, Salò  depicts four officials who imprison groups of young men and women and then proceed to sexually humiliate, torture, and murder them in grotesque ways.

It's an incredibly hard film to watch, by design: Pasolini wanted to rub the viewer's face in this horrifying allegory of what he felt capitalism was doing to human beings. Given the horrific, no-holds-barred sadomasochism on display, we'd say "Mission Accomplished. Porn, as we all know, played in seedy theaters full of dudes in dirty raincoats prior to the video revolution, at least.

Porn did not play at the New York Film Festival — so the fact that the presitigious event would program Nagisa Oshima's look at a real-life murder case involving a maid, her employer and their all-consuming sexual frenzy meant it was not porn, right?

Despite the NYFF's seal of approval and the fact that one of Japan's greatest filmmakers had made this very explicit docudrama, the film's sequences of actors very much engaging in coitus noninterruptus were still too "hot" for customs officials, and the festival's later screenings were stopped.

Legal battles would eventually see the courts ruling on the side of Senses being art and not smut, and the movie is now rightfully recognized as a true-crime classic. But if there was ever a film that challenged the notion of art versus porn, it was this one. The only feature from Bob Guccione's Penthouse Films International watches as the eponymous emperor played by Malcolm McDowell leads Rome with both an indiscriminate sword and promiscuous cock. It's an attempt to combine the "best" of both tony ancient-historical epics Gore Vidal wrote the script and skinflick set pieces, but guess which side wins out?

Caligula carousels through incest, rape and necrophilia, pausing only to let its heavyweight cast — McDowell, Helen Mirren, Sir John Gielgud, Peter O'Toole — chat with Penthouse Pets novel or find novel uses for piss and spunk.

Hedging his bets, Guccione grafted six minutes of hardcore sex onto the film, mostly via an orally fixated orgy sequence; the result feels like the sort of unholy union that might even give the degenerate Roman figurehead pause. Director William Friedkin reportedly went in a little too deep as well, and was forced to cut about 40 minutes of footage!

The film provoked protests from the gay community for its questionable depiction of homosexuality and the city's leather-daddy scene; the notoriety contributed to  Cruising flopping spectacularly upon release.

Since then, however, its reputation has been somewhat redeemed, and it has become something of a time capsule for a certain late '70s New York downtown subculture. Rainer Werner Fassbinder's final film is at once one of his most personal, and one of his most reviled, with even his biggest admirers bristling at its garish artificiality and Tom-of-Finland-inspired set design.

Bring on the giant-penis architecture! But this stagebound, stylized take on Jean Genet's novel is also profoundly intimate and sad, its intense scenes of homosexual sex jutting up against its arch performances and otherworldly atmosphere. It's less an adaptation of a book than a fever dream Fassbinder had after reading it, complete with nocturnal emissions.

Now notable more for the context surrounding its release than for its content, Philip Kaufman's adaptation of Anaïs Nin's memoir was the first mainstream movie to earn an NC rating. Though meant to salvage artful erotica from the pornographic ghetto of the X rating, the designation quickly became the kiss of death — numerous newspapers refused to even carry ads for this relatively tasteful if unashamedly sexual literary love story starring Fred Ward as the libidinally adventurous novelist Henry Miller and Maria de Medeiros as the gradually unbound Nin.

All of the film's ecstatic grunting, moaning and thrusting had moral watchdogs crying indecency, though scenes involving a very young, very naked Uma Thurman as Miller's wife and Nin's lover didn't stop her from becoming a bona fide movie star later on. Filthy in the best possible sense, David Cronenberg's adaptation of J. G Ballard's near-future novel of vehicular desire surveys the wreckage of modernity and digs up taboos — car-accident fetishes? From high-speed, high-impact orgasms to exploring the erotic potential of leg braces, the sex scenes here manage to be both icky and disconcertingly arousing.

Consummately seedy leading man James Spader is a bourgeois professional permanently perverted by a near-death experience, while character actor Elias Koteas turns in one of the randiest performances in film history as a slithering scarfaced greasemonkey.

It won a prize for "audacity" at Cannes; Ted Turner found the movie so degenerate that he tried to have it banned from ever being released. Lars von Trier has been thumbing his nose at society and good taste for long before Antichrist and Nymphomaniac , and his only Dogme 95 film helped garner him his first true taste of controversy.

It's a bleak black comedy about a group of adults who act like developmentally disabled people in order to both liberate themselves from, and get up in the face of, bourgeois complacency. One of their provocations involves having group sex — which, naturally, the director shows in characteristically unflinching fashion.

There's also a shot of an erect penis, which was digitally blurred upon the film's release in the U.

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Paris porno also had my watch stolen off my wrist, They are very clever! I was certainly not drunk or out of Yes this place is extremely dodgy with the abcsiden no that go on here, but the music was